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gary@gary-mason.com

Encouragement

DILIGENCE

Acting, Encouragement, Wisdom

Welcome back!

And thanks for reading! Acting can be a tough job. Sometimes it just feels like nothing is happening. It can be discouraging at times, and many now well-known actors were at a point in their careers where they were ready to throw in the towel just before they got their big break. An acting career requires diligence to be successful. This week let’s talk a bit about being diligent.

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting.

What is diligence?

It’ll come as no surprise to those of you who actually read this blog every week (except last week, since my life is so hectic right now I actually fogot to write!) that I’ve turned to my favorite online dictionary, Merriam-Webster to find the definition of diligence:

;steady, earnest, and energetic effort : devoted and painstaking work and application to accomplish an undertaking : assiduity

Steady, earnest, energetic, devoted and painstaking. THAT’S what you need to be to make it in this industry.

Coming up with things to write about

One of the most difficult things about writing a (mostly) weekly missive is figuring out what things to write about. And of course once finding a topic stretching that out to about 1500 words (my self-imposed word count for this blog), but that is a topic for another day. So how do I come up with a topic? Well, usually I pull from something that happened over the last week, and this week is no different.

A story

I wrote a couple weeks ago about how chaotic my life is these days buying, selling, and improving real estate, as we prepare to move to a different state. As we approach the date our house goes “live” in the real estate market it’s a scramble to get everything done. There is so much to do that in some instances we needed to hire people to help us, and this week was one of those weeks.

The house is dirty

No, not that kind of dirty. It had algae and just general filth all over it from, well, sitting outside all the time. It’s funny how you don’t notice these things until it’s time to have a million pictures taken to showcase your home for other people to want to buy it. Anyway, it needed to be pressure washed so it looks good, and it was just too big of a job for me to do myself. Besides, it is tall and I am afraid of heights. So, we hired a professional power washing company and scheduled them for last Wednesday.

We have a deadline

Pictures are on the 12th, and the yard guys are coming on the 10th to landscape, so the house needed to be cleaned by the 9th. No problem, right? We scheduled the washing for March 27th to make sure we had plenty of time to get it done before the landscapers arrive NEXT Wednesday. And then…

It rained

Under the heading of things you can’t control, it rained all day Wednesday. So, when I saw the forecast, I called the power wash guy. Of course, he can’t really work in heavy rain so needed to push off the job till the weather was better. And then it rained Thursday. And Friday.

Schedules and Deadlines

Funny thing about schedules and deadlines: They don’t always align. I wish I was his only customer, but that’s not realistic. This coming week was a full schedule for him, and he doesn’t work weekends (especially not Easter weekend) so it looked a lot like it just wasn’t going to be done in time. He wanted the job so we discussed how we might get it done and he agreed to come out Saturday to do the job, even though his wife was not really happy about it.

It’s a big house

Apparently, bidding a job based on Google Earth and pictures on Zillow is not terribly accurate. When he got here and actually saw the job, he realized he had significantly underbid. He’s honorable though and agreed to do the job at the original bid anyway: Good for me, bad for him. He also was doing this job alone because no one in his crew was willing to work the weekend. And he asked me to never tell anyone what he charged if I recommended him (I definitely recommend him – if you want to know and live in Northern VA give me a shout).

Here’s where the diligence comes in

He began working, alone, at around 11:30 Saturday morning. At 8PM he was about ¾ of the way done with the house, but hadn’t started the garage yet – oh, and it rained a bit too. I spoke with him as he was wrapping up for the day, and he said he’d have to get back to me on a time to return. He contacted me later that night and said he’d be back Sunday to finish. True to his word he arrived about 1:30 PM Sunday and got to work. I asked how much trouble he was in at home, and he said “Well, a bit”. An understatement to go along with his under bid.

Aaaaand….

Around 8:30 PM I went out to check on him again. He was just finishing up the garage, but still had ¼ of the house to finish. And it was full dark. And he hadn’t eaten all day. Clearly, he wasn’t going to be able to finish (and get paid) so he said he’d be back Tuesday for the last little bit. And of course it is predicting rain all day Tuesday. April showers and all. I have no doubt he’ll get it done by the deadline, though, because I can see he is very DILIGENT. I plan to give him a good-sized tip, partly because he has done an amazing job this far, and partly because I feel kinda bad for him.

What does all that have to do with acting?

I’m glad you asked. I’ll start by saying that’s the kind of actor I want to be. No, not the kind that has to start a power washing business to survive, the kind that just doesn’t give up even in the face of major difficulty and does an amazing job to boot. I want to be a diligent actor. Steady, earnest, energetic, devoted and painstaking (remember those from earlier?). Just like this guy.

Sometimes

Sometimes this work can be discouraging. You submit, and submit, and submit. Audition, and audition, and audition. And Nothing. When you do book work, it seems the roles are small (there are no small roles BTW), or the project is small and won’t be seen by many people, or the project doesn’t have much of a budget, so the pay is low, or the project never gets done. It’s enough to make you want to quit. And a lot of people do.

DON’T

Jenna Fischer (Pam in The Office) writes in her book: The Actor’s Life: A Survival Guide, that just before she booked the role of Pam she was considering giving up acting and concentrating on a 9-5. Bryan Cranston (Walter White in Breaking Bad among many others) writes in his book: A Life in Parts about his struggles early in his career and considering giving up acting. But neither did, and now you know them. There are a lot more, but you get the idea. 

IMDB

Take a look at any well-known actor’s IMDB page and you will see tons of projects you’ve never heard of nestled in between all the ones you know well. Unknown projects, low paid roles, weeks, months, sometimes years between gigs is common in the industry. The one thing (besides great acting) that sets these well-known people apart is this: Diligence. They never gave up. They were steady, earnest, energetic, devoted and painstaking in pursuing their craft and career. You (and I) should be too.

So, just don’t

Don’t give up. I’d say don’t get discouraged, but that may be a bridge too far, just: Don’t. Give. Up. Stay focused. Be Steady. Be earnest. Be energetic. Be devoted. Be painstaking. And keep on going. To be honest, the odds of you becoming a Jenna Fischer or Bryan Cranston are small (very small actually) but the odds of you becoming a working actor who is able to support themselves with their craft? WAY bigger. And besides, the odds of you being able to do either of those things is exactly ZERO if you give up! So, just don’t.

 If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask! 

Filed Under: Acting, Encouragement, Wisdom

REJECTION!

Acting, Encouragement, Wisdom

Welcome back!

And thanks for reading! If you’re an actor, you know very well what rejection feels like. The question is, how do you handle rejection? A better question is: IS it really rejection? This week let’s talk about rejection and how to handle it.

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting.

Job Hunting

Acting is one of the only jobs you can have where you are constantly looking for work. Most people spend some time trying to find a job and then when they find one, they work at it for at least a few years (normally) before having to find another. And most of the time they are looking while working so it is relatively stress free. Most of the time. As an actor, finding a job typically means being employed for days or maybe weeks before you are looking for another job. Very few actors get long term roles that last for years.

What is Rejection?

I like to turn to my favorite resource to answer questions like this: The Dictionary. According to Merriam-Webster – my go-to dictionary – here is the definition of rejection:

  • a : the action of rejecting : the state of being rejected

b: an immune response in which foreign tissue (as of a skin graft or transplanted organ) is attacked by immune system components of the recipient organism

  • : something rejected

Not really much help when they use the word they are defining to define that word. I guess they expect everyone to already know what it means. Let’s turn to the Cambridge Dictionary:

the act of refusing to accept, use, or believe someone or something:

There we go! For an actor, it is the “refusing to accept” part we’ll be focusing on.

Rejection

We’ve all experienced rejection from time to time in searching for work. You just don’t get every job you apply for. It’s normal, but it can still suck. For most people, that form of rejection occurs every few years and then there is a long break. For actors? Rejection occurs almost daily. And not just once for each job. For an actor, each job provides three opportunities to be rejected, each one slightly worse than the last.

Submission

The first step in applying for any acting job is the submission. This is where you see a role you think you may be a fit for and you submit your “materials”. Your materials are head shots, resumes and acting reels (for VO it’s usually just a voice reel). Casting takes a look (or listen) to your materials and then decides if you really could be a good fit for the role. This step is by far the easiest rejection to take because you typically hear nothing back from submissions. Actors get used to this level of rejection very quickly in their career and just move on to submit to other roles. We submit for multiple roles every day.

Audition

Then, it happens. One of your submissions hits and you get the much sought after request for an audition. You pour yourself into preparing for the audition, studying the script, figuring out the “who, what, where” of the scene, the tone of scene and who your character is. Then you spend some time familiarizing yourself with the dialog and actions in the scene, memorize your lines and put on some clothes that suggests the character. You find a reader (if you need one) and head to whatever studio setup you have, record 2-3 takes (honestly, don’t drive yourself nuts doing 10 takes). Then it’s off to your computer to pick the best take, edit it, make sure sound and lighting are good and send the audition off to casting.

Crickets

Even after all the work of preparing for, recording, and editing your audition, crickets is usually what you hear back from casting. Honestly, not even crickets. Silence. The most likely outcome of sending an audition is: Nothing. This rejection is much harder to take. You worked hard, did all the prep, rehearsed the scene, and gave your best performance. And then not even a “Thank you for your time, we are going another way”.  It can be discouraging.

Call Back

And then it happens – you get a call back! Of course, a call back means they liked your audition and are considering you for the role. This is a very exciting time for an actor because it means you might get cast! YEA! So, you take another look at the scene, rehearse a little more and then make yourself available to meet with the casting team and perhaps the director or producer of the project, either in-person or more likely these days virtually. It can be nerve wracking and anxiety producing. I mean, you might actually get a job! Then, the call back meeting lasts about ten minutes, and you are done. It’s kind of anti-climactic.

More Crickets

Yep, the usual result is even more crickets after the call back. Sometimes they may ask about availability (this is a good sign!) or even “pin” you (an even better sign) for the day or days you’d be working. At least if they pin you when they decide to go with another actor, they’ll tell you they are releasing you, so you know for sure you didn’t get it. This is the hardest rejection to take since you had high expectations of getting the role.

But….

There’s always a but, right!? AS bad as it can feel to be rejected, the thing is these are NOT rejections. Yes, they can feel like rejection, but there is a much better way to look at casting when you don’t get the role. It may even make not getting cast feel less like a rejection.

Selection

Casting is a process of selection, NOT rejection. The first thing to understand is that, for a given project/role, there are dozens, if not hundreds, if not THOUSANDS of submissions. Casting has a tough job to sort through them all to find the perfect actor for the role. What they are not doing is looking for people to exclude, they are looking for people to INclude. Actors are being selected, not rejected.

The Menu Analogy

Let’s say you decide to go out to dinner at your favorite restaurant (the project). You sit down and the waiter brings you a menu (submissions). Even though you may be familiar with the menu offerings you peruse the menu deciding what to have for dinner. You are leaning toward either a steak or roast chicken, so you ignore the pork, fish, pasta, and salads. Finally, you decide on the chicken and that’s what you order. Enjoy your meal. Have you rejected pork, fish, pasta, salad, and steak? Not at all, you may order one of those next time.

You’re The Menu Item!

When you submit to a role, you become one of many menu items to choose from. Casting looks through all the menu items and selects several they might be interested in then considers only those (audition) they narrow it down to just one or two choices (callback) and eventually decide on just one to order (cast). Just like you don’t always feel like pork or fish or pasta, not every actor (no matter how talented) is right for every role. They were not rejected; they just weren’t selected.

It has nothing to do with…

Their selection of someone else has nothing to do with how talented you are as an actor. Does eating chicken mean steak or pasta are terrible? NO! They just weren’t the right selection for that day. There are SO many reasons a person may or may not be selected that have nothing to do with their talent. How tall are they? Hair color? Eye color? Accent? Body type? Availability? All of these (and many more) are reasons a given actor may not be selected for a role, even when they absolutely nail the audition. They just don’t fit for some reason.

Remember

If you’ve been asked to audition, you were selected. If you’ve been invited to a call back, you were selected. If you’ve been pinned (even if later released) you’ve been selected. And, of course, if you’ve been offered the role you were selected. By the time you get a role, you’ve been selected numerous times! So, rejoice in getting the audition and give them the most attractive menu item you can be, then celebrate the actor who was selected for the role, one day it will be you!

If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask! 

Looking for your next great non-fiction read? Look no further! Check out this promotion: Spring Into Action 

Filed Under: Acting, Encouragement, Wisdom

CHAOS!

Acting, Encouragement, Wisdom

Welcome back!

And thanks for reading! Moving sucks. There I said it! We are presently in a transition period, moving from Virginia to South Carolina. And while I look forward to our new home (someday) the transition period is pretty chaotic. And it definitely impacts an acting career! This week let’s talk about chaotic life events!

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting.

It’s a LOT

Have you ever changed houses? Locations? Doing both certainly adds a level of complexity to life. We are doing that right now and there are a LOT of moving pieces. As I sit typing this at 6:15AM on Monday March 11, 2024 I am working with four realtors. Well, actually, today it’s three since we actually completed one transaction, but I am talking to yet another so it will likely be four again soon. Just keeping their names and what each is doing for me straight is chaos enough!

Here’s what is happening

First, I am attempting to sell my home. That’s one realtor (and she is fantastic – if you are in Northern Virginia and need a realtor, reach out and I’ll recommend). We own a very nice, large, home. Some might call it a McMansion, although it was originally built way back in the 1950’s. I don’t mention this to brag, but it bears on preparation to sell. This type of home requires a particular type of executive buyer, so it has to be marketed just right. Enter the realtors staging expert. She’s really a nice lady, but I hate her. If you’re not familiar with staging I envy you. This is where someone goes through your house and tells you what to get rid of and how to arrange everything.

You kind of have to pre-pack

In order to properly stage a house, you kind of have to pre-pack most of it and store the extra stuff…what I call the things you use every day and the stager calls “clutter”. As you can see by the picture our garage is filling up with the stuff we packed. To be fair, Karen has packed most of it but I have moved it all down to the garage.  I won’t show you a picture, but the house is a wreck with moving boxes and packing paper everywhere. Chaos.

Second

Next, we are having a house built in South Carolina. If you didn’t know, South Carolina is a 7-hour drive from Northern Virginia, and in the last two months we have been down there for one thing or another seven or eight times. I’m actually sitting in South Carolina right NOW, as my son moved down here yesterday and we had a truck and car load of stuff to bring down. Enter realtor number 5 (well, 4 now I suppose) to help him find a new place so he doesn’t live with his sister too long.  Anyway, having a house built means a bajillion design decisions and tracking progress, hence realtor number two. She’s ALSO fantastic so if you are looking to have a house built (or buy one) in the Charleston area, I can recommend her too.

Then

We are also selling a piece of land we thought we might build on here in South Carolina (realtor number 3). This one is pretty easy, since it is bare land and nothing to get ready…but also not a lot of offers rolling in.  This one hardly adds to the chaos, although it does to some extent, and if we don’t sell quickly it’s not a tragedy.

And of course…

Since we are moving away from one grandson (but closer to a soon-to-be granddaughter though) we purchased an acre in West Virginia (near that grandson) where we can park our RV for extended visits. We closed on that land last week, which is why that realtor dropped off the list, but added a General Contractor to coordinate a well, septic system, and electric service installation there. We’re barely started there so finishing the purchase will just ADD to the chaos.

My life is all over the place

Between getting our Virginia home ready, tracking and making decisions on the South Carolina home, preparing the West Virginia land for the RV and fielding offers (not as many as I’d like) on the South Carolina property – we are all over the place. Literally. We spend a LOT of time traveling back and forth between all these places. Sometimes I feel like I need an extra 12 hours for each day in order to be ready for everything. Oh, yeah, and my daughter is having a baby next month so I also have all the stuff associated with that to contend with (baby showers and the birth too!). And did I mention I am also producing a podcast? I’ll let you know when it releases. And, of course, regular life as well…that hasn’t gone away.

And then…work

I’m fortunate to be retired from my day job, and don’t require income from my acting career to be able to live. I still want to (and do) work though. I’ve had to make some adjustments. Those adjustments are really kind of the point of this post, sorry you had to wade through all of the above first, but I felt it was important to provide context in describing the adjustments. The real message here is that if you love what you do, you can do it even in the midst of chaos.

Acting class

Sadly, when you have a lot on your plate some things just have to fall off. For me, that meant pausing acting classes/coaching.  It’s temporary and I am already researching acting classes in South Carolina, but we won’t be here full time until late this year (the builder is telling us November). Since we put our house on the market next month and expect to be out by June, that means several nomadic months in the RV which is not conducive to attending a weekly class. So, pause to acting classes. I’ve got two more paid up guitar lessons and then that pauses too.

The booth

One of the things the staging lady called “clutter” is my VO booth. It’s not down yet, but will have to be in the next couple weeks. If you know anyone looking for a broadcast quality booth, let me know I’ve got one at a good price since it won’t fit in the new house. Anyway, the adjustment is figuring out a temporary portable solution. I’m ready there, but don’t need to implement it till the booth comes down.

The Studio

My audition filming studio is, apparently, also clutter. That has to also come down in the next couple weeks. As a result, I’ve had to not only figure out a temporary solution for at home, but come up with a way to audition from the RV. I’ve locked down the RV solution (even booked a job with an RV audition!) even though it is not optimal. I suspect my home solution (which is on my to-do list) won’t be optimal either.

Scheduling

I’ve had to cut back on the number of roles I submit for. With my present schedule, I simply can’t submit for everything I am a fit for like I was doing. So, I’ve had to really pay close attention to not only production dates, but locations as well and then be very selective. It means I’m not able to work as much as I’d like to. The timing on this is actually pretty good, since there is a bit of a contraction in the industry right now and I am not missing out on too many jobs anyway, because they are not there.

The message

My point in all of this is not to complain. Far from it. This is a very exciting time in our lives and I am looking forward to making the move, even though things are a bit hectic at the moment. The real message here is that if you love what you do you can keep doing it even in the face of this much chaos. It would be very easy to simply “pause” my acting career till all of this is done, but that would likely lead to stagnation and maybe never un-pausing it. So, if your life looks chaotic right now like mine does, don’t stop! Make whatever adjustments you need and keep moving forward, even if it is slowly. I think you’ll be glad you did. I’ll let you know when my chaos dies down.

If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask! 

Looking for your next great non-fiction read? Look no further! Check out this promotion: Spring Into Action 

Filed Under: Acting, Encouragement, Wisdom

What’s in a “name”?

Acting, Encouragement

Welcome back!

And thanks for reading! What is in a name? After last year’s strikes ended, we thought the industry would come roaring back. Well, think again!  The industry seems to be in some sort of contraction or correction this year. Looking through the few available roles can be discouraging, especially when many of them look for “named actors only”. This week let’s talk about the jobs that are only looking for “named actors”.

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting.

The Strikes

Last year’s strikes by the Directors Guild of America (DGA), Writers Guild of America (WGA) and Screen Actors Guild- American Federation of Television and Radio Artists (SAG-AFTRA) slowed productions to a trickle, limiting them to only non-union independent projects and a few union projects that were authorized.  The strikes began in May of 2023 and lasted until November. Fully half of the year was spent with one or more of these unions on strike.

The affect

As a result of these strikes, obviously, productions halted. Most crews, writers and, more importantly for this post, actors spent half the year out of work and struggling to make ends meet. Shows were not released; new shows were not begun and for consumers that meant either re-runs or digging deep into the portfolios of streaming services to find entertainment. Since productions were halted and new scripts weren’t being written that also means the landscape in 2024 is going to look pretty bleak for consumers as well.

Secondary affects

A couple of other things happened as well. Notably, funding began to dry up as investors looked elsewhere for places to put their money to make a profit. Studios began to scale back, reducing their workforce. The inventory of available projects to produce at best stagnated and at worst contracted. Things were not looking good for Hollywood.

And then the strikes ended.

That’s good, right!? Well, of course it’s good. It means Hollywood can get back to work. Or can it? Yes and no. Yes, they can all get back to work…if there is something to work on. Projects have to be written, reviewed, green lit and production begun. Those things take time. Add to that the reduced workforce and funding, and this year (at least) it will take a lot more time than usual.

Imagine

We all know that Hollywood is a behemoth. It’s huge and has a lot of moving parts. Imagine a long train sitting still on a track somewhere. When you want to get that train rolling you have to staff it, fill it with cargo, then get the engine running and finally put it in gear and get it rolling. But the train is huge and heavy and overcoming the inertia of all that weight takes a ton of energy. Even when it begins to roll, it starts out very slowly and builds speed gradually. So too with Hollywood.

Roaring back?

We all just imagined that the end of the strikes meant that productions would all just re-start. OK, maybe not all of us thought that, but many did. But here we are 3 months post-strike, a full quarter back into “normal” and things are hardly back to normal. In terms of the train analogy what is happening right now is staffing the train and looking for cargo to fill it. That train is just beginning to get to the point where it will, slowly, start to roll. Some people are predicting it will take a year, or several years, to get back up to speed…and some are predicting it will never be back to the way it was before the strikes.

The industry may even be contracting.

You would have expected the end of the strike to cause the industry to expand, but the exact opposite may actually be happening. Check out this Deadline Hollywood article which may explain what is going on in the industry.

What does that mean for actors?

In short, it means fewer available roles, and far more actors competing for them. Since revenue has been down (because of no or limited new releases) it also means reduced funding to green light projects, further compressing the number of available roles. The studios are presently in a “protected mode” when it comes to new projects, meaning they are looking for blockbusters to, as quickly as possible, start the money flowing again. It’s a vicious cycle.

So, what is “named talent”?

I mean, I have a name, right!? Simply put, named talent are actors whose names are widely recognized. Think to yourself about all the lead actors you like and can name. Those are named talent. When a production is asking for named talent, they are asking for someone recognizable by a large group of people who is popular and will bring in viewers.

What makes something a blockbuster?

One of the ways studios know, or at least can expect something to be a blockbuster is to attach a “name” to the project. What does it mean to “attach a name”? It means hiring an actor that a lot of people recognize and enjoy. Those are the actors who draw people to the theater just because they are in the film or TV show. Attaching a name to a production means that people are definitely going to pay to watch it, sometimes a LOT of people. At the end of the day, people paying to watch something is what generates revenue and puts money back into the studio so they can afford to fund more projects.

Named talent only…

This phrase is one I, and probably many of you as well, dread seeing on a role we are a good fit for. It generally means that the role is an important one in the project and the producers want a recognizable name for the role to draw in viewers. It’s discouraging to find an available role you are a fit for, only to see the phrase “named talent only” in the spec. it makes most of us pass that role by.

DON’T…

No, not don’t submit. Don’t pass it by! For me, and my agent BTW, I see no downside to submitting for roles that are looking for named talent. The worst thing that can happen when you submit to these roles is what usually happens anyway; you hear nothing. The best thing? You get asked to audition. The VERY best thing? You book a role! If you are a good fit for a role and they are looking for named talent, submit anyway. The CD has a delete button and can ignore you if they want to. They are not, contrary to popular belief, creating a list of un-named actors who submit to named actor roles.

And here is why…

If you can see the role as available, they are still searching. Many, if not most, named talent are at the point in their careers where they are “offer only”. What that means is they are not typically auditioning for a role the way you and I do. Productions are searching them out (versus them searching for roles). When a production really needs a name, they give the CD a list of actors they envision in the role, the CD then reaches out to the agent or manager for those actors and asks if they are interested. When they exhaust all of those options, they have to widen the search. That’s why you see them as available.

They don’t know what they don’t know…

They think they want a particular actor, but they haven’t seen YOU yet. It’s possible they are struggling to fill the role, and if your submission fits, they’ll ask for an audition. They don’t know if you are perfect for the role unless they see you on tape. Frankly, this is one of the ways un-named actors get to be named actors to begin with. You’ve heard of actors getting their “big break”, right? This is how you get a big break.

At the end of the day…

You have nothing to lose and everything to gain by submitting for these roles. Every named actor you know of was once an un-named actor struggling to get booked just like we are. Even if you get no response, which is pretty typical anyway, you are in the same position as if you had not submitted…still searching. But when you do submit, at a minimum your name and likeness is in front of a CD. There is no down side, so go ahead and submit anyway!

If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask! 

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Filed Under: Acting, Encouragement

Slumps!

Acting, Encouragement

Welcome back!

And thanks for reading! Slumps. Don’t you hate them? I do, and I am in one now. No, this is not a post to whine about not working, or how hard it is to get cast, or…well…whine about anything. This week let’s talk about what things you can do while you’re in a slump to keep you from deciding to just throw it all in. And if you’ve been with me for a while, you know I wrote about something similar before: The Doldrums.

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting. And this week (just to see if you read this every week) it applies to a lot of areas in your life, not JUST acting.

This too shall pass…

I once had a friend who would ask me how I was doing every weekday morning (we worked together). I’ll just point out that this went on for THREE YEARS. No matter what I said, “I’m doing great!” or “Man my life sucks right now”, his response was always the same: He’d look at me solemnly and, with gravitas, say “This too shall pass.” I’d love to tell you this wasn’t frustrating (which is probably why he kept it up so long), but I grew to hate it. These days I’d say he was one pretty smart individual.

Honestly, it will…

Pass that is. Truth is no matter how good or bad things are in your acting career (or, well, life really) the odds strongly favor them changing before too long. The message here is: Don’t get discouraged when you experience a slump, because a very large percentage of the time, let’s say 99.9% (almost all percentages are just made up on the spot. This one was)  of the time, the slump ends. Oh, and if you are riding high? That’s likely to change too. So, keep your head up, keep putting one foot in front of the other and before you know it it’ll all be different.

And I am in one now…

It’s not a bad one as slumps go…not yet anyway. I haven’t worked (well, I haven’t been hired by someone else to work) for three months. THREE MONTHS!  Yeah, not horrible. And I’m not complaining either because I know they are common, I know it will pass, and I figured out how to keep myself busy, so it at least seems like it is passing faster. And to be fair, part of this is my own fault. You see a lot of “life stuff” is happening so my availability is limited. One thing this has allowed me to do is to start producing a podcast. Episodes should start rolling out late Spring/early Summer. I’ll let you know as we get closer to launch.

Good Company.

A slump is just part of an acting career. EVERY actor has experienced them, so if you are in a slump, you are in pretty good company. I believe you can probably name some big ones right off the top of your head. If not, then I’m going to talk about a few actors whose names you may recognize here.

Jenna Fischer

You’ll know her better as Pam, from The Office. Ms. Fischer was lucky enough to land a series regular role on a hit television series that lasted for eight seasons. Even with her notoriety she hasn’t acted in much since 2018. For you math wizards out there, that’s 8 years. Puts my three months in perspective. But even before her role as Pam, she struggled. If you have some time, read her book The Actor’s Life: A Survival Guide (I get nothing if you buy the book). In it she talks about her time living in a small one-bedroom apartment, working full time, and getting to the point where she considered giving up on her acting dream. And then, one day, PAM.

Bryan Cranston

Not quite the same story as Jenna Fischer, but similar at least early on. Of course, you probably know him best as Walter White on Breaking Bad (seriously, if you haven’t watched this, you really should). And, if you look at his IMDB page you’ll see that he stays quite busy. But that was not always the case. As a young actor trying to land a good role, he, much like Jenna Fischer, struggled almost to the point of giving up. If you haven’t read his book, A Life in Parts, then you should.

John Travolta

Yep, we loved him as Vincent Vega in Pulp Fiction, and the Archangel Michael in Michael. Even before that in Saturday Night Fever, Grease and as Vinny Barbarino in Welcome Back Kotter (I loved that show as a kid!). Yeah, he stays pretty busy these days according to his IMDB page. But you’ll notice that his career has been somewhat cyclical. Between his heyday in the 1980’s and his next hit in the 90’s, almost a decade passed before he was offered a big role. He hasn’t written a book about his struggles as an actor that I know of, but if he ever does I’m sure it’ll be a fascinating read.

Part of the “problem”…

And I put problem in quotes because we think of this as a problem, but it’s really not a problem at all, at least for most of us. A part of why some actors wind up in long slumps, and certainly in Mr. Travolta’s case if you research his career, is appearing in some…less than noteworthy…projects. This is a really bad idea once you’ve “made it” but not a bad idea for us “normal” (ie: Not famous) actors at all. It’s acting even if it is in a “bad” project…and you never know which one will be your breakout role.

What to do…

I don’t know about you, but during slow times, slumps, I tend to get down on myself. Impostors’ syndrome is bad enough on its own, let alone during a slump! Sometimes, I start to feel like I am chasing the wrong dream. Without some positive action on my part, I would spiral down to the point where I’d just…give up. But I find there are things I can do that make me feel less slumpy and keep me working.

Learn

One of the best things an actor in a slump can do is continue actor training. For one, it keeps you up and acting even if it is just for the class. For another, it helps you continue to hone the craft of acting, which should make it easier to land a decent gig. If you can manage it, I highly recommend an in-person class where you get up and perform scenes. If nothing else, it will occupy some of the time you would normally spend bemoaning the fact you are in a slump.

Read

Reading about what other actors, especially actors who have achieved some level of fame, have or are going through helps a lot. For me, anyway, knowing that someone who is a household name experienced the same thing I am is encouraging. I feel a lot less alone. A lot less like it is my fault for being a horrible actor. And if you (or I) are a horrible actor, refer to the last paragraph – Learn.

ACT!

That’s right…act! “But how do I act if I’m not getting cast?”. There are a couple ways to remain active as an actor without getting hired by someone else. First, there are acting/coaching classes, also every audition is an opportunity to act. Then, particularly if you are networking with other actors, you can work on small indie projects for your friends, or even create something on your own.

If you’re not creative and have no friends?

If all else fails head on over to Google and search for Script Archives (click the link, I did it for you). Pick a script, find a reader, and tape yourself (you DO have a self-tape setup, right?) performing scenes from a project that interests you. Also consider community theater. They are usually begging for people to audition.

What not to do…

Telling you what TO do without telling you what NOT to do isn’t really fair, is it? Here is the big thing to not do: Give Up. Giving up guarantees you’ll never “make it” as an actor (no matter what your definition of making it is). It won’t happen overnight, but if you quit…it won’t happen at all. Lots of clichés around this idea, but the simple fact is that if you give up, you fail. Look, you may fail anyway, but the only surefire way to make sure you fail is to not keep trying.

If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask!  

Filed Under: Acting, Encouragement

Do It Now! Eating the Elephant

Acting, Encouragement, Wisdom

Welcome back!

And thanks for reading! I’ve been reflecting lately on getting older and what that means for …well…life in general. Specifically, I’ve been thinking about major life changes, not just due to aging and things like retirement, but also changing locations, losing a job and having to find a new one; basically redefining ourselves and how difficult that can be.  This week I want to tell you a secret to success I call: Do it now!

REMEMBER:

Just a reminder here that when I use the term “actor” I mean it to encompass all forms of acting including voice, stage, and screen.  Yeah, I know I say this every week, but it falls under the heading of “The things that go without saying are the things that most need to be said”.  What follows applies relatively equally to all of these forms of acting.

Life Events.

We all have them – major life events. We graduate school, get married, have kids, lose people we love, get, and lose jobs, retire. You name it, it happens to all of us. Some life events like having a child are happy ones. Others, like losing a loved one, are not happy. And sometimes they come in multiples; getting divorced coupled with losing a job and having to relocate. Whether good or bad, many (most) of these events cause us to have to “redefine” ourselves. That can be an uncomfortable thing to do.

It’s not easy.

Let’s be honest, redefining yourself is not an easy (or quick) task. We humans tend to get into routines. We get comfortable where we are and when that changes due to things out of our control, we suddenly feel adrift and lost. Heck, even when these things are IN our control. We know we have to decide on a new path and start down it, but can’t always figure out which way to go, or even how to get where we want the new us to be. It can be (and likely will be) overwhelming.

Burnout

The problem with being overwhelmed is it often leads to burnout, which can lead to depression, which causes us to not want to do things. And not wanting to do things keeps us from moving forward. Here’s the rub; If you are standing still, you are not going anywhere…your situation is not going to change.

Depression

Since I mentioned depression I feel I have to say: Depression is a dangerous thing; it requires a doctor’s care. I am not a doctor, and I am not suggesting anything I write in this little blog can help you treat or overcome depression. If you suffer from depression, call a doctor immediately and seek treatment. I am also not suggesting that you can “achieve” your way out of depression. I am suggesting that it may be possible to avoid getting to depression by your own actions. Seriously, if you are depressed get to a doctor as soon as possible. Quit reading this and call now. If you don’t know who to call, here is the number for the National Mental Health Hotline, it is someplace to start and is available 24/7/365: 866-903-3787 .

Being overwhelmed

What I write in this blog may be able to help you feel less overwhelmed and maybe avoid depression that is caused by feelings of being overwhelmed. Again, and I am being careful here, nothing in this blog should be misconstrued for medical advice. Here’s what happens to me when I feel overwhelmed; there is so much to do I can’t figure out how to move forward. Since I can’t see a clear path forward, I simply do nothing. It’s a recipe for disaster.

The elephant

And here is what I learned in my 63 trips around the sun: Overwhelming circumstances are like trying to “eat an elephant”. I’m sure you’ve all heard this before, but how do you eat an elephant? One bite at a time. I know, it sounds trite, and to be sure it is easier said than done…but it can be done! And no, I don’t think you should actually eat an elephant.

Procrastination

I’d like to park here for just a moment. Don’t worry, we’ll get back to eating the elephant in a moment, but first let’s discuss procrastination for a bit. And yeah, I also promise I’ll tie this all back to acting before we’re done.

Me

I am a procrastinator. It may not seem like it if you know me, because I am always busy with something, but believe me it is true. I was having a discussion with my son this weekend and we were talking about procrastinating. We didn’t use that word, but it was definitely the topic. I won’t go into details why, but I will tell you that what I told him was that one thing I learned about myself was that if I didn’t do “the thing” (whatever the thing was) right away, I didn’t do it for a very long time. I’m a procrastinator. Well, maybe a recovering procrastinator.

The message is:

Do it now. For me, I sometimes look at a task and decide it is going to take so long or be so difficult I can’t get it done…so I put it off. Typically, I find that when I finally get around to doing it (I mean, it HAS to be done after all) it was easier and quicker than my mind made it seem, but even when it IS long and difficult, I still wind up having to do it eventually. So, if it is going to take me a week (or a month or a year or whatever) to do and I wait 6 months to start…guess what? Now it’s taken me 6 months PLUS a week to do it.

What about things you don’t HAVE to do?

The things you should do but don’t have to are killers. Learning an instrument, starting training for a new career field…there are tons of things we know we should do but don’t start because it will take too long or be too difficult. Instead, we stay where we are and dream about doing those things. But the time will pass anyway, and waiting isn’t going to make it any easier. The only solution is to Do It Now. Start, or you’ll never finish and 60+ revolutions around the sun later you’ll still just be dreaming.

What does this have to do with acting?

I’m glad you asked! Deciding to start down the path toward an acting career can seem overwhelming. Kind of like eating an elephant. See I told you we’d get back to the elephant! Between head shots, acting reels, coaching, training, resume’s, agents, managers and all the rest, it seems like too daunting a task sometimes. But here’s the truth: you eat this elephant one bite at a time just like all the other elephants in your life. Oh, and be sure to prioritize which elephant you eat first too…but that may be for a different post.

Discrete tasks

While “one bite at a time” is a cute soundbite, it’s not really helpful. What I mean by eating this elephant one bite at a time is that every large overwhelming task is made up of a bunch of smaller, more manageable discrete tasks. If you can break down and identify those tasks, then prioritize them and do them one at a time…you can “eat the (whole) elephant”. Even the act of breaking down and prioritizing can be broken down into discrete tasks. Each one of those discrete tasks likely have some discrete tasks as well. And if you don’t know where to start, that’s OK. There are books, websites, and Facebook groups (among other resources) all dedicated to helping you figure it out.

You can’t do it…

Ha! Gotcha! You CAN do it, just not all at once. Becoming a successful (and YOU define success for you BTW), working actor is not easy (although it really is kind of simple), and it takes time. Sometimes a LOT of time. Just remember that if you don’t start down the path (any path really, not just acting) that time is going to pass anyway. The sooner you begin, the sooner you “finish” (you never really “finish” growing as an actor).

So…Do It Now!

Research what it takes to be an actor, get some help breaking it down into manageable steps and get started. And don’t forget that On-the-Job-Training is some of the best training. Submit for background roles in big projects, submit for principal roles in some local Indie or Student projects. You may be surprised how easy it is to book roles, and time on set is invaluable even if you just learn this career is not for you before you spend too much energy on it.

Do It Now!

Yeah, I know I repeated myself, but it bears repeating. Maybe you feel you don’t have enough talent, time, or money to pursue this dream. OK, fair. If this is your dream, invest what you can. It’s said there is no better time to start than right now, and I believe that’s true. You may not move forward as quickly as someone who has more resources to invest, but you will be moving forward! You simply cannot eat the elephant until you take the first bite! So, don’t procrastinate…Do It Now!

If you enjoyed this, please leave a comment below to let me know.  If you DIDN’T enjoy it, well, I’d like to hear from you too!  And please feel free to share this blog on social media or with other people you think might enjoy it.

If you haven’t already, please feel free to subscribe so you don’t miss anything – and as a thank you receive a free copy of my E-Book: Everything You Ever Wanted to Know About getting Started in Voice Over but Didn’t Know Who to Ask!  

Filed Under: Acting, Encouragement, Wisdom

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